Aicelle Santos and Christian Bautista cut their performing teeth in make-or-break singing tilts (“Pinoy Pop Superstar,” “Star in a Million”) and on demanding theater parts like those they essayed in “Miss Saigon,” “Katy!,” “Rak of Aegis” and “Himala” (for the former) and “Jersey Boys” and “Westside Story” (for the latter). But years of hard-fought feats […]
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